Ai Jiang’s A Palace Near The Wind: A Riveting Eco-Fable 14/04/2025

A Palace Near the Wind is a story of quiet fury and fragile hope, where every gust of wind carries the weight of history and every choice demands sacrifice. The novella’s imaginative scope and thematic depth linger long after the final page. For fans of Nghi Vo’s The Empress of Salt and Fortune or Studio Ghibli’s eco-fables, this is a must-read a reminder that roots can crack stone even in the coldest eternity.

Book Review: A Palace Near the Wind by Ai Jiang
A Haunting Ode to Nature, Rebellion, and the Cost of Survival

Ai Jiang’s A Palace Near the Wind (Titan Books, 2025) masterfully combines elements of science fiction, fantasy, and ecological fable, crafting a story that is as harsh as it is beautiful. Set in a realm where tree-like beings known as the Feng, or Wind Walkers, find themselves in conflict with industrialized humanity, A Palace Near the Wind delves into issues of cultural erasure, loyalty to family, and the destructive outcomes of ambition. Central to the narrative is Liu Lufeng, a princess caught between her responsibilities and her desire for defiance, whose journey prompts readers to question the delicacy of identity in the wake of colonization.

The Feng, characterized by their bark-like epidermis, branch-like limbs, and hair like pine needles, represent a deep symbiosis with nature. Their way of life is intertwined with the planet, their traditions connected to nature’s cycles, and their existence jeopardized by the looming Palace a skeletal fortress that symbolizes human avarice. Jiang’s world-building is both vivid and lyrical, highlighting the contrasting harmony of the Feng with the harsh mechanization of humans.

Lufeng’s role as the next sacrificial bride to the human king underscores this conflict. Her marriage is transactional to stall the Palace’s expansion, a tradition that has already claimed her mother and sisters. Yet, Jiang subverts the trope of passive martyrdom: Lufeng plots regicide, aiming to free her people and protect her youngest sister, Chuiliu. This tension between submission and rebellion drives the narrative, mirroring real-world struggles of Indigenous communities against cultural annihilation.

Lufeng’s character arc is a study in resilience and transformation. Initially bound by duty, her time in the Palace forces her to confront unsettling truths about her people’s origins and the humans’ insatiable hunger for progress. Jiang crafts Lufeng’s voice with lyrical precision, blending grief, anger, and determination. Her internal monologues—such as questioning why the “natural gods” demand endless sacrifice resonate with raw emotional power.

A Palace Near the Wind is unflinching in its critique of industrialization and cultural hegemony. The Feng’s gradual assimilation seen in their adoption of human customs like meat-eating and footwear, serves as a metaphor for the erosion of Indigenous traditions. Jiang deftly explores how survival often demands compromise, even as it fractures identity.

Jiang’s prose is filled with sumptuous sensory detail. Descriptions of the Feng’s rain blooms “scattering seeds like tears” or the Palace’s “bone mold” walls evoke a haunting atmosphere.

A Palace Near the Wind is a story of quiet fury and fragile hope, where every gust of wind carries the weight of history and every choice demands sacrifice. For fans of Nghi Vo’s The Empress of Salt and Fortune or Studio Ghibli’s eco-fables, this is a must-read reminder that roots can crack stone even in the coldest eternity.

Release Date: April 8, 2025 (pre-order available)

A Palace Near the Wind by Ai Jiang

From a rising-star author, winner of the both the Bram Stoker® and Nebula Awards, a richly inventive, brutal and beautiful science-fantasy novella. A story of family, loss, oppression and rebellion that will stay with you long after the final page. For readers of Nghi Vo’s The Empress of Salt and Fortune, Neon Yang’s The Black Tides of Heaven and Kritika H. Rao’s The Surviving Sky.

Liu Lufeng is the eldest princess of the Feng royalty and, bound by duty and tradition, the next bride to the human king. With their bark faces, arms of braided branches and hair of needle threads, the Feng people live within nature, nurtured by the land. But they exist under the constant threat of human expansion, and the negotiation of bridewealth is the only way to stop— or at least delay—the destruction of their home. Come her wedding day, Lufeng plans to kill the king and finally put an end to the marriages.

Trapped in the great human palace in the run-up to the union, Lufeng begins to uncover the truth about her people’s origins and realizes they will never be safe from the humans. So she must learn to let go of duty and tradition, choose her allies carefully, and risk the unknown in order to free her family and shape her own fate.

From a rising-star author, winner of the both the Bram Stoker® and Nebula Awards, a richly inventive, brutal and beautiful story of family, loss, oppression and rebellion.